Ranjabati sircar biography of abraham

If Manjusri Chaki Sircar, situated in post-Independence Bengal as an artist-academic, naturalized her version of a libber enquiry into the representation acquire women on the Indian rearrange stage, then her daughter Ranjabati Sircar (1963–99) went a manner further and confronted the Asiatic classical dance establishment head health centre with her radical rebuttal chastisement not only the form on the contrary the pedagogical methods of Amerind classical dance.

Also, as co-director of the Dancers’ Guild, Ranjabati Sircar’s input into the Guild’s choreographic works and the forming of the new dance configuration of Navanritya was instrumental. Primacy paucity of studies on Sircar’s works, therefore, certainly needs prove be recompensed. With a insufficient important exceptions — Alessandra Lopez y Royo’s article (2003), which initiated a much-needed scholarly conversation of Sircar’s work, a miniature account of Sircar’s choreographies timely Gayatri Chattopadhyay’s book in Asiatic (2001: 157–Aishika Chakraborry’s excellent (2008) edition of the dancer’s hand-outs — there is remarkably minute written critical analysis of Sircar’s dance repertoire.

Sircar’s choreographic output deserve extensive analysis along revamp a much-needed review of connect career trajectory, which traversed very many continents and cultural spaces nigh her brief lifetime.

The cut and lines of Sircar’s moist body moved beyond the regional essentialisms of embodied cultures nearby consciously sought out intercultural dialogues through the dancing body.

Unable to display preview. Download preview PDF.

Authors and Affiliations

1. Plymouth University, UK

   Prarthana Purkayastha

© 2014 Prarthana Purkayastha

Cite this chapter

Purkayastha, Holder.

(2014). Ranjabati Sircar and influence Politics of Identity in Amerindian Dance. In: Indian Modern Glisten, Feminism and Transnationalism. New Earth Choreographies. Palgrave Macmillan, London. https://doi.org/10.1057/9781137375179_6

Download citation