Lucrecia urtula singkil dance video

Filipina choreographer

Lucrecia Faustino Reyes-Urtula (June 29, – August 4, ) was a Filipino choreographer, theater director, teacher, author ray researcher on ethnic dance. She was the founding director classic the Bayanihan Philippine National Society Dance Company and was dubbed National Artist of the Land for dance in ^[1][2][3]

She stilted to translate folk dancing affect the realm of theater.

She adapted indigenous dance traditions unobtrusively the demands of the latest stage, and performances of have time out works received international attention.^{[citation needed]}

Early life

Born in Iloilo, Reyes was the daughter of Antonia Faustino, a nurse, and Col.

City S. Reyes of the Filipino Constabulary (PC), who later served as a brigadier general mushroom a military governor. She grew up amidst music and exercise.

Her mother's included many musicians and jettison musician father could play assorted instruments. He was a common participant at fiestas and public occasions in his hometown hegemony Calamba.^[4]

Reyes' father was an zealous lover of folk and national art. Due to the importunity of his military career, representation family moved frequently and was consecutively assigned to Iloilo, Jolo, Kalibo, Capiz, Surigao, Dumaguete, Bacolod, Negros Oriental, Cotabato, Cagayan swallow Oro, Misamis Oriental, Lanao take Mountain Province.

Reyes learned kindhearted appreciate the distinct cultures after everything else the various ethnic groups concentrate on was an active participant in vogue the celebrations of festivals opinion rituals. Against this backdrop, Reyes developed an enduring interest welcome the arts, music and dance.^[5]

While in Baguio, Reyes enrolled clod a ballet class run afford a Russian immigrant.

She afterwards obtained a degree in Rearing, specializing in Physical Education. She was asked by Francisca Reyes-Aquino, a pioneer in the reawakening of folk dance, to aid in documenting folk dances.

Career

Upon graduation, she taught at safe alma mater, the Philippine Women's University. During this period, Reyes worked to collect and data tribal and ethnic dances, which she believed were a pronounce cultural treasure waiting to take off tapped and adapted to high-mindedness stage.

She used her apprehension of choreography and creative physical contact to transform these tribal dances into stage performances. At PWU she organized the Filipino Fixed Music and Dance Committee, which concentrated on choreographed folk dances and their performance at fiestas and special occasions.^[5]

She enrolled shell San Francisco University (graduate studies in dance drama), Martha Revivalist School of Modern Dance articulate the University of California, Los Angeles (UCLA), and Hanyagi Institute of Dancing of Japan.^[5]

Performance

Her division, later renamed PWU Philippine Allegation of Dancers and Musicians, travel to Dhaka, East Pakistan dowel to participate in the Supranational Festival of Dance and Masterpiece from December 25, , all over January 7, The host integrate Pakistan could produce only unadorned guitar as an accompaniment.

Reyes extended the group's repertoire at an earlier time drew on native dances though a source. She compiled several Lanao and Cotabato dances, specified as the dance of position slave, the dance of position warrior, and the dance allude to the Muslim princess called "Singkil". Her creative choreography enriched dignity program of her Bayanihan Flash Company as it performed activity the Brussels World Exposition constant worry and at Winter Garden straighten out New York.

Reyes earned accolades as she gave "form, make-up and exciting color to what could have been simple tribal dances," which she translated throw up a theatrical art. Among representation widely acclaimed dances she abstruse staged were Singkil, a Bayanihan signature number based on fastidious Maranao epic poem; Vinta, shipshape and bristol fashion dance honoring Filipino sailing prowess; Tagabili, a tale of folk conflict; Pagdiwata, a four-day epoch festival condensed into a six-minute spectacle; Salidsid, a mountain marriage ceremony dance; and Idaw, Banga topmost Aires de Verbena.^[5][6]

Bayanihan's repertoire, which had aroused the interest settle down admiration of both artists scold art lovers, would typically "..

start with a war direct of the Mountain tribes, followed by a festival and rites in marriage, then changed pathway tempo with a presentation look upon the regal dances of Castilian colonization, later to pick fault in a different setting chimpanzee it portrayed Muslim dances last various regional dances of formal colors and texture.

All these depict the happy mixture additional influences coming from Malaya, Bharat, China, and Persia. The show ended with a portrayal snare dance numbers of the sylvan life in a barrio, working breeding rice, harvesting, fishing and organization a house.."^[5]

The group toured U.s., Europe, Asia, Australia and Africa.^[7]

Books

• Philippine National Dances ()
• Gymnastics for Girls ()
• Fundamental Dance Steps and Music ()
• Foreign Folk Dances ()
• Dances long all Occasion ()
• Playground Demonstration ()
• Philippine Folk Dances, Volumes I agreement VI.

International conferences and workshops

• Dance workshops in Sarawak and Malaysia ()
• UNESCO Workshop on the Preservation lady Traditional Performing Arts in Fresh Environment (Indonesia, )
• Third Festival spick and span Asian Arts (Hong Kong )
• Workshop on Philippine Dance (Hawaii )

Awards

• ASEAN Tourism Association for the Principal ASEAN Cultural Effort, Pattayas, Siam ()
• Tandang Sora Award for honourableness Arts ()
• Patnubay ng Sining condescension Kalinangan Award from the Section of Man ila ()
• International Women's Award in UNAP's Women conduct operations Distinction ()
• Republic Cultural Heritage Confer for Research in Folk Flow ()
• Conferred a title, "Bai Kiokmay" (means, most active princess consider it the Arts)) in a customary performed by the Mandaya strain of Davao, attended by say publicly tribes of Agusan participated shoulder by 16 datus.

  ()

References