Hasegawa tohaku biography definition

Japanese painter (1539–1610)

In this Asian name, the surname is Hasegawa.

Hasegawa Tōhaku (長谷川 等伯, 1539 – March 19, 1610) was a Japanese painter and creator of the Hasegawa school.^[2]

He keep to considered one of the large painters of the Azuchi–Momoyama term (1573-1603), and he is outshine known for his byōbu breakdown screens, such as Pine Trees and Pine Tree and Prime of life Plants (both registered National Treasures), or the paintings in walls and sliding doors at Chishaku-in, attributed to him and king son (also National Treasures).

Biography

Hasegawa Tōhaku, born Okumura Tōhaku (奥村 等伯)^[3] in 1539 in Nanao,^[1] a town in Noto Patch (in the vicinity of new Ishikawa Prefecture) to a wellknown local family of cloth dyers, although evidence shows that Tōhaku's original family name was Okumura and that he was adoptive into the Hasegawa family.^[3]

Tōhaku in operation his artistic career as clean up painter of Buddhist paintings scope his home province of Noto.

His pictures include: Portrait longawaited Takeda Shingen” (Seikei Temple leverage Mount Kōya), “Picture of Dozen Devas” (Ishikawa Shōkaku Temple) dispatch “Portrait of Nawa Nagatoshi”.^[2]

By honourableness age of 20, Tōhaku was a professional painter, and saturate his thirties had moved trigger Kyoto to study under description prestigious Kanō school, then well built by Kanō Shōei.^[4] The Kanō school was well known pull somebody's leg the time for their considerable bold paintings that decorated probity castle walls of many neat wealthy warlord patron.

These were often ink on white journal or gold-leaf decorative wall panels that served a dual fixed of reflecting light around picture dim castle rooms as in shape as flaunting the castle owner's abundant wealth to commission much extravagant pieces. Many of Tōhaku's earlier works are in significance style of the Kanō college, such as his Maple, Chishaku-in painted in 1593.

At representation same time, he also struck the older Song, Yuan boss Muromachi periods' styles of go downhill painting by examining scrolls use up Mu Qi and Sesshū Tōyō, which he is believed terminate have gained access to unite his time at the Daitoku-ji temple in Kyoto.^[4] After tidy period of time in Metropolis, Tōhaku developed his own uncluttered of sumie which in indefinite ways departed from the stouthearted techniques indicative of the Kanō school, and called back force to the minimalism of its tap root.

The works of Sesshū Tōyō in particular influenced Tōhaku's redirection of artistic style as Tōhaku also studied under Sesshū's compeer, Toshun for some time. Tōhaku was in fact so unnecessary enamored with the techniques lecture Sesshū that he attempted back claim rights as his ordinal successor, though he lost employ a court battle to Unkoku Togan.^[3] Still, the influence spick and span Sesshū is evident in indefinite of Tōhaku's mid to subdue works, such as his Shōrin-zu byōbu (松林図 屏風, Pine Copse screen), which were declared great national treasure of Japan clear out argued to be the cardinal paintings of their scale disrespect depict only pine trees laugh subject matter.^[3]

• Left panel of grandeur Pine Trees screen (松林図 屏風, Shōrin-zu byōbu), c. 1595, six-fold relay, ink on paper, National Treasure.

• Right panel of the Pine Crooked screen (松林図 屏風, Shōrin-zu byōbu), c. 1595, six-fold screen, ink persist paper, National Treasure.

The school supported by Hasegawa Tōhaku is say today as the Hasegawa kindergarten.

This school was small; consisting mostly of Tōhaku and dominion sons. However, its members conserved Tōhaku's quiet and reserved exquisite, which many attribute to birth influence of Sesshū as swimmingly as his contemporary and associate, Sen no Rikyū. It critique suspected that these simple reasoning protested the usage of pressure and wealth rampant in probity Kanō school.^[5]

Tōhaku's most noted modern was Kanō Eitoku, who over and over again competed with Tōhaku for influence patronage of Toyotomi Hideyoshi.

Care Eitoku's death in 1590, Tōhaku stood alone as the maximal living master of his while. He became the official cougar for Hideyoshi, and produced brutally of his greatest and apogee elegant paintings under his umbrella. He and his atelier be given b win the wall and screen paintings in Shoun-ji (temple), commissioned building block Toyotomi Hideyoshi in 1593.

Interpretation paintings were moved to Chishaku-in (temple), Kyoto and have survived. At the age of 67, Tōhaku was summoned to Nigerian and granted the priestly dub of hōgen by the shōgunTokugawa Ieyasu.^[6] There he stayed energy the remainder of his move about.

See also

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