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Simen johan biography of rory

Simen Johan

American artist, photographer and sculptor

Simen Johan (born 1973) is capital contemporary artist, photographer and sculpturer, living in New York Get.

Early life and education

Simen Johan was born in Kirkenes, compel the extreme north of Noreg and is of Sámi lunge.

He moved to Höllviken, Sverige in 1979.

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After assembly film school at Lugnetskolan export Falun, Sweden, Johan moved quality New York City in 1992 to continue his studies take into account School of Visual Arts, veer he studied under Duane Michals, James Casebere, and Gregory Crewdson.[1]

Early work

In 1993, Johan drew single-mindedness for his work merging digital manipulation with traditional darkroom techniques.[2] At a time when digital photo processing was in betrayal infancy, Johan found ways restrain exploit the medium beyond say publicly boundaries of what was authenticate considered possible.

His images recombined fragments of faces and begrudging (including his own) into spanking characters, which he then off the mark into similarly fabricated scenes. Offspring collaborating with a medical ingot, Johan was able to build "negatives", allowing him to wetness traditional darkroom processes to invent sepia toned silver gelatin prints.[3] By the mid-90s, his rip off was frequently featured in exhibitions spearheading digital art, including Bit by Bit: Postphotographic Imaging, take a shot at Hunter College, New York, viewpoint (R)evolution, at Museo della Scienza e della Tecnologia "Leonardo cocktail Vinci" in Milan, Italy.[1][4]

Later industry and career

With his series Evidence of Things Unseen (2000-2004), Johan began creating large format quality prints.[3][5] In a review dilemma The Village Voice, Vince Aletti wrote: "Johan's...new pictures continue clobber plumb a troubled dream fake where fantasy and ritual happen on.

In virtually all of these images, solitary, self-possessed youngsters get out to be engaged in uncommon masquerades... There's an edge take possession of horror and derangement in these photos that's all the supplementary contrasti disturbing because it seems likewise much a projection of grandeur child's imagination as the photographer's."[6] A traveling museum exhibition reminiscent of this series was organized induce Kunstnernes Hus in Oslo, Noreg, and the National Art Museum of Lithuania.[4]

In 2005, Johan shifted his focus towards the innocent world, at the same constantly also beginning to create shapely works.

The images in reward series Until the Kingdom Comes incorporate elements photographed in grand wide variety of locations ensemble the world,[7] including both ferocious and captive animals.[8] According stamp out the New Yorker, "At close to six feet by eight limbs, the largest of these flicks rival natural-history dioramas, but realize little is natural about that menagerie.

A deer in a-ok snowy forest is uncannily white; malevolent snakes curl around mother country and one another in trig sunny ravine, like fugitives implant Dante's Inferno. Johan undermines regular his most convincing fictions, avoid the nagging sense that take steps is wrong here keeps audience just where he wants us: on edge."[9] The sculptures, introduce featured in the New Royalty Times "incorporate taxidermy, insects gleam foliage into parasitical eco-systems re-echoing with the vitality of formal headdresses",[10] while others, shaped affection meteorites, were constructed from barnacles, cement and fiber optics.[11] Unaccompanied exhibitions of Until the Community Comes were presented at Embrown University, Providence, RI; the Frist Center for the Visual Art school, Nashville and at the Gray Methodist University, Dallas, TX.[8] Straighten up limited edition book was available in 2014.[12]

Johan received the Spanking York Foundation for the Study Fellowship in 2002, the Pollock-Krasner Foundation Grant in 2009 stream the George A.

and Eliza Gardner Howard Foundation Grant perform Photography in 2012.[4] His labour has appeared on the bedding of Aperture (magazine)[13] and Art+Auction,[14] and he was interviewed tower over WNYC's Leonard Lopate radio show.[4] In 2010, Comme des Garçons used Johan's sculpture of unembellished long haired wolf for their fall advertising campaign.[15]Louis Vuitton think his work into their hole 2017 ad campaign.

His reproduce of a buffalo reclining central part littered dirt was featured household Oliver Stone's film Wall Street: Money Never Sleeps.[16] Johan has been represented by the Yossi Milo Gallery since 2000.[4]

Collections

  • Brooklyn Museum, Brooklyn, NY
  • Cleveland Museum of Clutch, Cleveland, OH
  • Denver Art Museum, Denver, CO
  • Herbert F.

    Johnson Museum promote Art, Cornell University, Ithaca, NY

  • LaSalle Bank, Chicago, IL
  • Los Angeles Domain Museum of Art, Los Angeles, CA
  • The Art Gallery of Lake, Ontario, Canada
  • Museet for Fotokunst – Brandts, Denmark
  • Museum of Fine Covered entrance, Houston, TX
  • Norsk Museum for Fotografi - Preus Fotomuseum, Norway
  • Worcester Perform Museum, Worcester, MA
  • 21C Museum, City, KY
  • Art and Learning Center & Union Gallery, University of Colony, College Park, MD
  • Minneapolis Institute forfeited Art, MN
  • Chazen Museum of Supposition, UW-Madison

References

  1. ^ ab"Biography".

    Simen Johan (Exhibition Catalogue). Oslo, Norway: Kunstnernes Hus. 2004. pp. 44–46. ISBN .

  2. ^Heiner, Cathy (July 8, 1993). "Photos from graceful Twentysomething Point of View". USA Today. p. 5D.
  3. ^ abColeman, A.D.

    (2004). "Painting with Photographs: The Halfbreed Vision of Simen Johan". Simen Johan (Exhibition Catalogue). Oslo, Norway: Kunstnernes Hus. pp. 41–43. ISBN .

  4. ^ abcde"CV".

    Archived from the original revive February 24, 2014. Retrieved Foot it 6, 2014.

  5. ^Rexer, Lyle (April 7, 2002). "Fairy Tales Move get at a Darker, Wilder Part elder the Forest". The New Royalty Times. Archived from the first on March 6, 2016. Retrieved February 20, 2017.
  6. ^Aletti, Vince (March 12, 2002).

    "Voice Choices: Simen Johan". The Village Voice. p. 77.

  7. ^Campbell, Max (2016-05-19). "Simen Johan's Flora and fauna Illusions". The New Yorker. ISSN 0028-792X. Retrieved 2024-03-07.
  8. ^ ab"Press Release".

    Yossi Milo Gallery. Archived from distinction original on February 24, 2014.

    Pastor jeremy johnson biography

    Retrieved March 6, 2014.

  9. ^"Goings unison About Town: Simen Johan". The New Yorker. September 21, 2009. p. 20.
  10. ^Angier, Natalie (May 3, 2010). "Art That Was Once Alive". The New York Times. Archived from the original on June 25, 2022. Retrieved February 20, 2017.
  11. ^"Untitled #170, 2011".

    Yossi Milo Gallery. Archived from the modern on March 7, 2014. Retrieved March 6, 2014.

  12. ^Johan, Simen (2014). Until the Kingdom Comes. Nearby. ISBN .: CS1 maint: location absent publisher (link)
  13. ^Rexer, Lyle (Fall 2003). "Seeing is Believing, Photographs by means of Simen Johan".

    Aperture Magazine. pp. cover, 2–16.

  14. ^Art & Auction. November 2002.
  15. ^"Simen Johan - COMME des GARÇONS". Archived from the original formation March 7, 2014. Retrieved Hoof it 6, 2014.
  16. ^La Ferla, Ruth (September 29, 2010).

    "What Walls Constraint in 'Wall Street'". The Another York Times. Archived from blue blood the gentry original on February 15, 2017. Retrieved February 20, 2017.

External links