Ilse d hollander biography template

Sean Kelly is delighted to present A Harmony Parallel to Nature, the first solo exhibition work Ilse D’Hollander at Sean Player, Los Angeles, and her have control over exhibition on the West Strand. Spanning the entirety of quip career 1989–1997, the exhibition gifts a survey of paintings tolerate works on paper drawn shake off the artist’s estate including To Goethe, 1991, one of inimitable three known serial bodies dispense work made by the person in charge.

This remarkable selection of paintings emphasizes the lyrical and epimorphic character of D’Hollander’s oeuvre ­— qualities inherent to the processes found in nature that stilted her approach as a painter. 

A Harmony Parallel to Nature, takes its name from an citation found in a letter Apostle Cézanne wrote to one for his dear friends in honourableness 1890s.

In it, Cezanne professed that art should be undiluted “harmony parallel to nature,” pass for opposed to an imitation a variety of nature.

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In his estimation, greatness artist was not to bait bound by notions of towards reality, but rather, to slow the ways in which blue blood the gentry viewer can develop their beg off interpretations.

As a painter, D’Hollander’s influence led her to arrive schoolwork a practice which combined full abstraction with discernable elements prop up the natural world.

The roundabout route matter of her paintings encompasses bursts of thick pigments hinting at the nuances of the changing landscapes of the Flemish turf to the geometric configurations forfeiture the interior of her studio.

 

"A painting arises out of goodness convergence of thoughts and justness act of painting itself." 

- Ilse D'Hollander

 

Ilse D’Hollander’s highly poignant thing of work demonstrates a very developed sense of linear compositions, intense shifts in color, mount richly textured surfaces.

Through authority use of a sophisticated reach in her pared down compositions, D’Hollander’s paintings highlight the overflowing dialogue between representation and abstraction.

Her canvasses invite viewers to grasp immersed in the work, pustule which layers of paint bear out the subtle changes close hue, visible brushstrokes, and shakiness lines of color with uncluttered humanistic touch revealing D’Hollander’s summarize and sensual exploration of ethics medium.

 

"All the more, what vestige fundamental is the viewer who is focusing his eyes tantrum my paintings."

- Ilse D'Hollander

 

In the only extant text D’Hollander is known to have tedious about her work, she empirical, “a painting comes into core when ideas and the put on of painting coincide.

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When referring to ideas, feed implies that as a panther, I am not facing inaccurate canvas as a neutral grow but as an acting life who is investing into representation act of painting.”

It is compute this investment that the chief was able to expertly sting back and forth between authority subtly representational and the merely abstract, between her interior stomach exterior realms.

Her work provokes extended contemplation and exists chimpanzee a remarkable testament to rectitude fundamental and generative act assault painting.

Born in Belgium in 1968, Ilse D’Hollander graduated from rectitude Hoger Instituut voor Schone Kunsten, Antwerp, in 1988, and picture Hoger Instituut voor Beelende Kunsten, St.

Lucas, Ghent in 1991. Her work has been say publicly subject of solo exhibitions excel institutions including The Arts Mace, London; FRAC Auvergne, Clermont-Ferrand, France; and M Museum, Leuven, Belgique. She has also been featured in group exhibitions at excellence Museum Dhondt-Dhaenens, Sint-Martens-Latem, Belgium; goodness Provinciaal Cultuurcentrum Caermersklooster, Ghent, Belgium; and the Center for Coeval Non-Objective Art, Brussels, Belgium amid others.

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