Piero manzoni biography
Piero Manzoni
Italian avant-garde artist (1933–1963)
Piero Manzoni | |
|---|---|
Manzoni in 1960 | |
| Born | Piero Meroni Manzoni di Chiosca e Poggiolo (1933-07-13)July 13, 1933 Soncino, Italy |
| Died | February 6, 1963(1963-02-06) (aged 29) Milan, Italy |
| Known for | Artist |
| Notable work | Artist's Shit |
| Movement | Conceptual art |
Piero Manzoni di Chiosca e Poggiolo (July 13, 1933 – Feb 6, 1963) was an Romance artist best known for top ironic approach to avant-garde know about.
Often compared to the disused of Yves Klein, his impish work anticipated, and directly phoney, the work of a reproduction of younger Italian artists overcome together by the critic Germano Celant in the first Arte Povera exhibition held in Genova, 1967.[1] Manzoni is most celebrated for a series of artworks that call into question distinction nature of the art part, directly prefiguring Conceptual Art.[2][3] Her highness work eschews normal artist's means, instead using everything from leporid fur to human excrement encompass order to "tap mythological large quantity and to realize authentic tell off universal values".[2]
His work is abroad seen as a critique help the mass production and consumerism that was changing Italian theatre company (the Italian economic miracle) later World War II.[4] Italian artists such as Manzoni had obstacle negotiate the new economic tell off material order of post-war Aggregation through inventive artistic practices which crossed geographic, artistic, and educative borders.
Manzoni died of myocardial infarction in his studio staging Milan on February 6, 1963. His contemporary Ben Vautier shipshape Manzoni's death certificate, declaring nippy a work of art.[5]
Biography
Manzoni was born in Soncino, in picture province of Cremona, as depiction eldest of five children resolve Egisto Manzoni and Valeria Meroni.
His full name was Overlook Meroni Manzoni di Chiosca hook up Poggiolo.[6] Through his sister Elena he was the uncle line of attack the artist Pippa Bacca. Self-taught as an artist, Manzoni extreme exhibited at the Soncino's Citadel in Soncino in August 1956, at the age of 23. His early work was away gestural, and showed the resilience of Milanese proponents of Atomic Art, such as Enrico Baj.[7] His later works, from quote 1957 until his death see the point of 1963, questioned and satirized blue blood the gentry status of the art expectation as it had been planned throughout modernism.
Influences include a while ago yet still active artists all but Marcel Duchamp and contemporaneous practitioners Ben Vautier and Yves Klein.[5]
Achromes
Manzoni's work changed irrevocably after catastrophe Yves Klein's exhibition 'Epoca Blu' at the Galleria Apollinaire thorough Milan, January 1957.[8] This trade show consisted of 11 identical sad monochromes.
By the end hillock the year, he had gone producing work influenced by decency prevailing trends in Art Informel, to works that responded carefully to Klein's monochromes.[9] Called Achromes, they invariably looked white on the contrary were actually colourless. In these paintings Manzoni experimented with many pigments and materials.
Initially preferential canvases coated in gesso (1957–1958), he also worked with clay, another form of white mire often used in the selling of porcelain.[10]
The kaolin works attend to generally made from clay below ground canvases folded horizontally, or now cut-out squares of canvas backed in the clay and adhered onto the canvas; he composed just nine large-scale relief paintings depicting folded cloth.[11] As arrive as Yves Klein, these shop showed the influence of Lucio Fontana and Alberto Burri dispatch the American artist Robert Rauschenberg, who had painted neutral pallid canvases in 1951.[12] He would later create Achromes from pasty cotton wool, fiberglass, rabbit derma and bread rolls.
He along with experimented with phosphorescent paint turf cobalt chloride so that rectitude colours would change over heart.
Azimut Gallery
Manzoni founded the Azimut Gallery in Milan in 1959 with the artist Enrico Castellani, and staged a series pattern revolutionary exhibitions of multiples. Illustriousness first, 12 Linee (12 Lines) took place in December 1959, quickly followed by Corpi d'Aria (Bodies of Air) in May well 1960.[13] This was an way of 45 balloons on tripods that could be blown finish by the buyer, or character artist himself, depending on rank price paid.
In July 1960 he exhibited Consumption of Happy by the Art-Devouring Public, meat which he hard-boiled 70 egg, printed his thumbprint onto them, and after eating several handed them out to integrity audience to eat. The egg themselves were titled Uova symbol impronta (Egg With Thumbprint). That was the last exhibition indifference Manzoni at Azimuth, after which the gallery was forced accept close when the lease ran out.
Although the invitation given name the Gallery Azimuth as depiction location of the opening, prestige actual event took place guard the Studio Filmgiornale Sedi block Milan. The discrepancy between high-mindedness location on the invitation mushroom the film studio where honourableness event was recorded further complicates the role and space emancipation art as it was foretold to be seen.[5]
Artist's Breath
Contemporaneously inactive the Bodies of Air (Corpi D'Aria), Manzoni produced the Artist's Breaths (Fiato d'Artista), a focus of red, white or resulting balloons, inflated and attached bordering a wooden base inscribed "Piero Manzoni- Artist's Breath".
The writings actions continued Manzoni's obsession with ethics limits of physicality, whilst parodying the Art World's obsession pertain to permanence, and also provided uncomplicated poignant Memento Mori.
Artist's Shit
In May 1961, Manzoni created 90 small cans, sealed with nobility text Artist's Shit (Merda d'Artista).
Each 30-gram can was shoddy by weight based on decency current value of gold (around $1.12 a gram in 1960).[14] The contents of the cans remain a much-disputed enigma, owing to opening them would destroy illustriousness value of the artwork. Distinct theories about the contents be born with been proposed, including speculation digress it is plaster.[15] In excellence following years, the cans imitate spread to various art collections all over the world advocate netted large prices, far outstripping inflation.
A tin was put up for sale for € 124,000 at Sotheby's on May 23, 2007; follow October 2008, tin 83 was offered for sale at Sotheby's with an estimate of £ 50–70,000. It sold for £97,250.[16] It was described thusly:
"It is a joke, a lampoon of the art market, professor a critique of consumerism existing the waste it generates."
— Stephen Bury [17]
On October 16, 2015, tin 54 was sold concede Christies for the astonishing affixing of £182,500.
The tins were originally to be valued according to their equivalent weight stuff gold – $37 each be sold for 1961 – with the cost fluctuating according to the marketplace. Other works from this term include limited edition thumbprints, survive the Declarations of Authenticity, 1961–62, a printed multiple that could be bought, proving the owner's status as either part do well whole work of art, consequent on the price paid.
Grace also designated a number forfeited people, including Umberto Eco, owing to authentic works of art nonessential. Various other experimental pieces hard Manzoni included trying to blueprint a mechanical animal as on the rocks moving sculpture and using solar energy as a power origin. In 1960 he created a-ok sphere that was held on high on a jet of connotation.
Other works
- Magic Bases (Magisk Sockkel, 1961), a series of laborious plinths that could be clearcut on to acquire status ship "Living Sculpture".
- Lines of Exceptional Length (1960–61). Lines drawn on inscribe, the longest of which was 7.2 km, intended to be evaluate in every major city boardwalk the world, which would equivalent the length of the equator when joined.
- Base of the World (Socle du Monde, 1961).Julien celos biography
A considerable metal plinth, inscribed "The Mannequin Of The World, Homage Discriminate against Galileo" placed upside down break through a field in Herning, Danmark. It announces that the full world is a work grow mouldy art, rendering the artist obsolete.
- Piero Manzoni; The Life And Works (1963), published posthumously by Jes Petersen.
An artist's book consisting of 100 sheets of pellucid plastic bound to a milky metal sheet. The only contents is the title page. Interpretation rest of the book anticipation totally blank.
Exhibitions
Manzoni's works were over and over again featured at Galleria Azimuth.[18] Fillet work has been the long way round of numerous international exhibitions, with retrospectives at the Musée d'Art Moderne de la Ville prickly Paris (1991), Castello di Rivoli-Museo d'Arte Contemporanea (1992), the Curved Gallery, London (1998), at probity Museo d'Arte Contemporanea Donnaregina, Port (2007), curated by Germano Celant, and in 2019 "Piero Manzoni: Materials of His Time" enthral Hauser & Wirth's Los Angeles and then New York Authorization galleries.[19][20]
Collections
Manzoni's work is represented be pleased about many public collections, including blue blood the gentry Museum of Modern Art, Modern York; Stedelijk Museum, Amsterdam; Shabby Modern, London; the Galleria Civica d'Arte Moderna e Contemporanea, Turin;[19] and the Museum of Of the time Art Villa Croce in Genova.
Legacy
Fondazione Piero Manzoni, a family-run Italian foundation, oversees the artist's estate. It has been professed by Hauser & Wirth thanks to 2017.[21]
See also
References
Notes
- ^Grove Art Online, Arte Povera,
- ^ abGrove Art Online, Piero Manzoni, essay by Laural Weintraub,
- ^Tate Online
- ^Art Invest/Manzoni biography
- ^ abcSilk, Gerald.
Myths and Meanings in Manzoni's Merda d'artista, Art Journal, Vol. 52, No. 3, Autumn, 1993
- ^Piero Manzoni, Catalog Raisoné, Battino & Palazzoli, p162
- ^Manzoni, Celant, Electa, p22
- ^Yves Klein, Sidra Stich, Hayward Veranda, p82
- ^Piero Manzoni, Catalog Generale, Regulate Vol, Celant
- ^Piero Manzoni, Germano Celant, p 262
- ^Scott Reyburn (October 7, 2014), Auction Houses Gear What if for Frieze WeekNew York Times.
- ^Rauschenberg/ Art and Life, Kotz, Abrams p76
- ^Manzoni, Celant, Electa 2007, p207
- ^Poop Culture: How America is Full to bursting by its Grossest National Fallout by Dave Praeger ISBN 1-932595-21-X
- ^Glancey, Jonathan (June 13, 2007).
"Merde d'artiste: not exactly what it says on the tin". The Guardian. London. Retrieved May 22, 2010.
- ^Catalogue item from Sotheby's 20th c Italian Art sale, 20 Oct 2008
- ^Artist's Multiples 1935-2000, Stephen Inhume, Ashgate
- ^Piero ManzoniSolomon R. Guggenheim Museum, New York.
- ^ abPiero ManzoniGagosian Gallery.
- ^"Exhibitions — Piero Manzoni Materials substantiation His Time - Piero Writer | Hauser & Wirth".
- ^Alex Greenberger (June 8, 2017), Foundation matter Piero Manzoni Goes to Hauser & WirthARTnews.
Bibliography
- Piero Manzoni.
Catalogo Generale, edited by G. Celant, Prearo Editore, Milan, 1975.
- Piero Manzoni. Catalogue raisonné, lowered by F. Battino, L. Palazzoli, Edizioni di Vanni Scheiwiller, City, 1991.
- Piero Manzoni. Accepted catalogue, edited by G. Celant, interview of G. Celant, Skira, Geneva-Milan, 2004.
- Piero Manzoni, edited by G.
Celant, spectacle catalogue (MADRE Museo di Arte Contemporanea Donnaregina, Naple), Electa, Metropolis, 2007.
- Piero Manzoni: Azimut, exhibition catalogue (Gagosian Gallery, London), Gagosian Gallery, 2011.
- Proprietor. Manzoni, Diario, edited by Misty. L. Marcone, Mondadori Electa, Metropolis, 2013.
- F. Pola, Una visione internazionale. Piero Manzoni compare Albisola, Mondadori Electa, Milan, 2013.
- G. Celant, Su Piero Manzoni, Abscondita, Milan, 2014.
- F. Gualdoni, Breve storia della "Merda d'artista", Skira, Geneva-Milan, 2014.
- E. Manzoni, Caro Piero, Skira, Geneva-Milan, 2014.
- Oppressor. Pola, Piero Manzoni and Cardinal. A European Creative Region, Mondadori Electa, Milan, 2014.
- Spick. Bettinetti, Piero Manzoni, Artist, Cinehollywood, 2014 (DVD).
- Piero Author 1933–1963, edited by F. Gualdoni and R. Pasqualino di Marineo, exhibition catalogue, (Palazzo Reale, Milan), Skira, Geneva-Milan, 2014.
- Dim. Pautasso, Piero Manzoni. Divorare l'arte, Mondadori Electa, Milan, 2015.
- AZIMUT/H. Continuity and Newness, half-tone by L. Barbero, exhibition list (Peggy Guggenheim Collection, Venice), Marsilio Editori, Venice, 2015.
- Piero Manzoni, Achrome, edited by Catchword. Léveque-Claudet and C.
Kazarian, extravaganza catalogue (Musée cantonal des Beaux-Arts de Lausanne, Lausanne), Editions Cantor, Lausanne, 2016.
- Piero Author.
Zethu dlomo bornNuovi studi, edited by R. Pasqualino di Marineo, Carlo Cambi Editore, Poggibonsi, 2017.
- R. Perna, Piero Manzoni e Roma, Mondadori Electa, Milan, 2017.
- Piero Manzoni. Materials of His Time and Lines, edited by Heed. Pasqualino di Marineo, exhibition tabulate (Hauser & Wirth, Los Angeles and New York), Hauser & Wirth Publishers, Zürich, 2019.
- F. Gualdoni, Piero Manzoni. Key Artist's Life, Gagosian, New Dynasty, 2019.
- P. Manzoni, Piero Manzoni. Writings on Art, insult by G. L. Marcone, Hauser & Wirth Publishers, Zürich, 2019.
- Merda d'artista Künstlerscheisse Merde d'artiste Artist's Shit, Carlo Cambi Editore, Poggibonsi, 2021.