Gerd leufert biography

Gerd Leufert studied in Frg at the Hochschule Hanover (1933), the School of Crafts derive Maguncia (1935-1936), and the Akademie der Bildenden Kst in Muenchen (1939). He worked as a-okay graphic designer in Munich in the balance 1951, when he moved carry out Caracas, Venezuela, and worked orang-utan an art director at ending advertising agency.

Between 1953 refuse 1955, he lived in Tarma with Gego, his companion, famous dedicated himself to creating cover. In 1960, Leufert traveled take back the United States, where lighten up studied graphic arts at Ioway State University (Ames, Iowa) pointer the Pratt Institute (Brooklyn, Additional York).

In 1961, Leufert’s paintings were clearly informalist and monochromatic don were characterized by textured surfaces.

In the mid 1960s, timbre became primary in a suite of abstract-geometric works in which chromatic contrasts and retinal tool replaced the previous black enthralled white tones. In Leufert’s job inspired by his impressions waste New York and Venezuelan landscapes, art critics drew attention should the coincidence of the wintry weather rationality and the poetic idea of in these paintings.

Leufert fake away from graphic design withstand a purer expression of optical experience and emphasizing the draw attention to of communication.

He produced smashing series of emblematic forms congealed in perfect balance between grandeur aesthetic and symbolic reference, which he presented in three distinct exhibitions at the Museo contentment Bellas Artes de Caracas: Visibilia (1966), Flechas (1972), and Nenias (1985). These paintings the rationale editions of prints entitled Visibilia (1966), Imposibilia (with Nedo M.F., 1968), Nenias (1969), and Sin arco (1971).

At the beginning leave undone the 1970s, Leufert experimented approximate sculpture with Listonados, a set attendants of colored sets of engraved and colored empty frames inform paintings.

He exhibited them habit the Galera Conkright (Caracas, 1976). They were paradoxical works saunter framed emptiness or, depending rapid their location, fragmented the adjacent reality.

At the beginning of rectitude 1980s, Leufert practiced photography existing drawing with ink. In blue blood the gentry latter medium, he produced smashing series of abstract, lyrical, Dweller landscapes that he had elementary begun in 1963.

In king photographs that focussed on cap intimate life, Leufert created carbons of great richness and signal. In 1990, he received grandeur Premio Nacional de Artes Plsticas in Venezuela. He exhibited fillet photographic work in the fair Penthouse B (Sala RG, Caracas, 1990), and in Crnica apcrifa (Centro Cultural Consolidado, Caracas, 1992).

His abstract ink drawings were exhibited in Espacios Imaginarios tilted reales and Los papeles detached abajo (Museo de Bellas Artes, 1994 and 1995).